Saturday, October 22, 2016
Determination the Count of a Given Cotton Fabric by Beesley Balance
Determination the Count of a Given Cotton Fabric by Beesley Balance
Meftaul Ferdous Lecturer, Dept. of Textile Engineering Islami Bank Institute of Technology Email: tex.e.ferdous@gmail.com
Theory: Yarn count: The yarn count
is a numerical expression which defines its fineness or coarseness. It
also expresses weather the yarn is thick or thin. A
Monday, October 17, 2016
Garment Merchandising Facing Tasks in Recent Times
Garment Merchandising Facing Tasks in Recent Times
R.S.BALAKUMAR
Associate Professor (SFDA)
Hindustan University, Chennai
Cell: +91-9283182955
Email: rsbalakumar1953@gmail.com
Garment Merchandising
is a recognized job profile in Garment industry. Free-standing the
clothing industry, many identify this period as well. Garment
merchandising is producing a lot of worth to
Thursday, October 13, 2016
Necessity of Effective Tracking for Effective Merchandising
Effective tracking is necessary for effective Merchandising
Mohammad Nurul Alam
Senior Merchandiser | Asmara BD Pvt. Ltd. | Dhaka | Bangladesh
Cell: +8801930540035,
E-mail: alamnur09@yahoo.com / alam@bd.asmaragroup.com
LinkedIn: https://bd.linkedin.com/in/nurul-alam-538b0919
When a merchandiser
fails to get his job-tracking that means he will be soon in problem.
His important
Tuesday, October 11, 2016
Concept of ISO 9000, Six Sigma & Lean Production for Apparel Industry
Concept of ISO 9000, Six Sigma & Lean Production for Apparel Industry
Shabuz Biplob,
Apparel Professional,
Cell Phone: +8801511779988
Email: shabuz.biplob@outlook.com
Introduction:
So many methodologies have been created to rule the manufacturing well. Amongst them, ISO 9000, Six Sigma and Lean Production System
are very popular in apparel trade. Almost apparel companies are
Monday, October 10, 2016
Branding in Yarn Industry Does It Really Matters?
Branding in Yarn Industry Does It Really Matters?
Gowtham Raj A, Marketing Executive in GHCL Ltd (Yarn Division) Email: a.gowthamraj@gmail.com
Establishing a brand in B2B (Business to Business) is different from B2C (Business to consumer) the role and mechanism of B2B branding strategy has to be more focused than consumer markets (B2C). Generally in B2B markets depending upon the
Saturday, October 8, 2016
Buyers Approved Textile Testing Laboratories
Most of the Garments and Textile industries around the world
are 100% export oriented. They export their textile and garments products to
other countries. While trendy designs and incomparable colors may preliminary
sell a garment, it’s final the quality and safety that will confirm customer
loyalty, generate repeat business, and maintain a brands value. That is why like
other products, before
Tuesday, October 4, 2016
A Birds Eye View on - Karur Home Textiles Industry
A Birds Eye View on - Karur Home Textiles Industry
R.S.BALAKUMAR Associate Professor (SFDA) Hindustan University, Chennai Cell: +91-9283182955 Email: rsbalakumar1953@gmail.com
Karur
in Tamil Nadu state has become identical with handloom and power loom
"made-ups" products. Made-ups are more essential to all the human-beings
living in the world. Handloom exports from Karur began on
Sunday, October 2, 2016
How a Merchandiser Can Prepare a Correct and Complete Production File
How a Merchandiser Can Prepare a Correct and Complete Production File
Mohammad Nurul Alam Senior Merchandiser | Asmara BD Pvt. Ltd. | Dhaka | Bangladesh Cell: +8801930540035, E-mail: alamnur09@yahoo.com / alam@bd.asmaragroup.com
Merchandisers
those are working in the factory they need to prepare production file.
This is an important task for him to start production. But we see in
many
What is Khana or Khunn Saree Blouse Fabric
Guledgudd Khana is the name of the fabric which has obtained the Geographical Indication ( GI) Registration.
The small design motifs are a speciality of these fabrics. These designs are produced using extra threads and make the motifs appear bolder and enhance the attractiveness of the fabrics.
The basic raw material is silk, viscose and cotton yarn. However, increasingly polyester is also used. Dyeing of cotton and silk yarn is done in open using firewood. Indigo dyeing using buried earthern pots is also practised.
Street sizing is practiced. Weaving of the Khana requires a dobby attachment in both handlooms and powerlooms. The handlooms are either pit looms or plain looms. These are narrow width looms of 32 to 36 inches width.
Guledgudd is a cluster of villages in the Badami area of Bagalkot district of Karnataka. This is a great compliment to Ilkal sarees and other sarees also woven in Karnataka. Most of the designs are replicas of Suranarayana Mukta ( Sun God), Siddeswar Mukta ( Siddeswara God), Theru ( Chariot), Ane Hejje ( Footsteps of elephants), Tulsi Pan or Sooji Mallige ( Frangrance Giving Flower).These are woven by Devanga and Veerashaiva community.
The structure of a khunn Fabric is like this:
1. Extra Warp: It is usually in viscose with yarn count of about 75/2. Sometimes silk of 16/18 denier is also used.
2. Ground Warp: It is usually of silk of 16/18 denier or polyester 80s or 30s count.
3. Border Warp: It is usually of silk of 16/18 denier or polyester 80s or 30s count. Sometimes mercerised cotton of 120s count is also used.
4. Weft: Most of the time it is of cotton of 40s or 60s count.
A few of the designs:
Reference
Buy my books at Amazon.com
The small design motifs are a speciality of these fabrics. These designs are produced using extra threads and make the motifs appear bolder and enhance the attractiveness of the fabrics.
The basic raw material is silk, viscose and cotton yarn. However, increasingly polyester is also used. Dyeing of cotton and silk yarn is done in open using firewood. Indigo dyeing using buried earthern pots is also practised.
Street sizing is practiced. Weaving of the Khana requires a dobby attachment in both handlooms and powerlooms. The handlooms are either pit looms or plain looms. These are narrow width looms of 32 to 36 inches width.
Guledgudd is a cluster of villages in the Badami area of Bagalkot district of Karnataka. This is a great compliment to Ilkal sarees and other sarees also woven in Karnataka. Most of the designs are replicas of Suranarayana Mukta ( Sun God), Siddeswar Mukta ( Siddeswara God), Theru ( Chariot), Ane Hejje ( Footsteps of elephants), Tulsi Pan or Sooji Mallige ( Frangrance Giving Flower).These are woven by Devanga and Veerashaiva community.
The structure of a khunn Fabric is like this:
1. Extra Warp: It is usually in viscose with yarn count of about 75/2. Sometimes silk of 16/18 denier is also used.
2. Ground Warp: It is usually of silk of 16/18 denier or polyester 80s or 30s count.
3. Border Warp: It is usually of silk of 16/18 denier or polyester 80s or 30s count. Sometimes mercerised cotton of 120s count is also used.
4. Weft: Most of the time it is of cotton of 40s or 60s count.
A few of the designs:
Deepa |
Kalawar Balli |
Karamantikki |
Kavalihuva Putani |
Navalpari |
Suryanarayana Sudarshna |
Kolu Teru |
Bairihuwu |
Reference
Buy my books at Amazon.com
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